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Tabla

   

Ustad Iqbal Hussain Khan

 

 
 

Faculty: Ustad Iqbal Hussain Khan

 

Born in the family of musicians in 1958, he was interested in playing tabla from his childhood. He started learning form Ustad Amir Hussain Khan after which he mastered the art under the enlightened guidance of Ustad Inaam Ali Khan of Delhi. In 1971 he was awarded with the prestigious  “taal mani”, following which he participated in various music conferences like Harivallabh Sangeet Sammelan, Swami Haridas Sangeet. Presently a top level artist of All India Radio and Cine Music Association, he has been an integral part of the Indian Film Industry for 18yrs

Ustadji has accompanied some great musicians of world fame such as Ustad Ghulam Ali Khan, Ghulam Mustafa Khan, Pt. Rajan Sajan Mishra to name a few. Dedicated in serving at Shri P.K. Salve Kala Pratishthan he is blessed by our divine Mother H.H. Shri Mataji Nirmala Devi.

 
About the subject: 
 

Instruments used as accompaniment not only lend a good support to the vocalist, but also enhance the quality of music. Therefore even the solo concert becomes a team-work. A good understanding between the main performer and the accompanist is desirable otherwise lack of harmony can affect the performance. The name “TABLA” seems to have been derived from the Arabian Drum called “TABLA” It is believed that the Sufi Saint Ameer Khusrau had evolved this instrument by dividing the PAKHAWAJ, an ancient percussion instrument into two pieces

Indian music is considered sublime and has a very vast and rich tradition. Whilst music is the bliss, Sahaja music is divine bliss.

 
3 MONTHS COURSE

Please Note: Combined group and individual learning will be conducted according to need and ability of the student, at the discretion of the course Director. Students will be required to document all their experiences throughout the course. Most weeks will comprise of 4 days practical study and 1.5 days of assessment.

 
12 Week Schedule:
 
Month One
Week One Week Two Week Three Week Four

- Sitting posture

- Position of hands, fingers and tabla

- Basic exercises enhancing finger movements.

- Practicing simple Bol (words) on tabla and Improving sound

- Practicing Teen Tal, the 16 Beats on Tabla and telling the Bol (words) with playing it on hands.

- Regress practicing Teen Tal in single and double speed known as Tah and Dugun

- Saying Kehrva Tal and playing it on hands

 
Month Two
Week One Week Two Week Three Week Four

- Practicing Teen Tal with some Kaydaas

- Saying the syllables of Dadra Tal and Playing it on hands and on Tabla in Tah and Dugun Laya (Tempo) Practicing Kehrva Tal

- Teen Tal – Practicing and learning of Mohras

- Teen Tal – Practicing and learning some more Kaydaas and Mukhda and Tukdas

 
Month Three
Week One Week Two Week Three Week Four

- Revision

- Learning of Jhap Tal on hands and on Tabla

- Practicing Teen Tal with some more Kaydaas

- Learning of Rupak Tal, Bhajan Dhumali, Playing the Bol on hands and on tabla

- Revision

- Learning individually and practicing with songs.

- Final Touchup and tips to improve,

- Practice at home.

- Clearing of doubts if any.

 

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