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Indian Classical Vocal Music and Bhajans

   

Mr. Bhaskar Subramanian with a student

 

 
 
Faculty: Mr. Bhaskar Subramanian
 

This course involves Indian Hindustani Classical Vocal music and Sahaja bhajans. Mr. B .Subramanian is blessed with a melodious voice, he sings Khayal, Tarana, Tappa and Bhajans. He was also born in a family of  musicians, received intensive training in Hindustani Classical Vocal music from Pt V.U.Rajurkar of Gwalior Gharana.

He has given many music concerts all over India, USA and Italy. He is a top graded artist of All India Radio, he is also a composer and has written and compose many songs. He is a devotee of Shri Mataji Nirmala Devi and practices and preaches Sahaja Yoga through music for inner growth.

Pt.Subramanian is a post graduate in music and is working as a lecturer at the prestigious Shri P.K.Salve Kala Pratishthan-Vaitarna, after serving in the government college of music and dance – Secunderabad for more than 20years and in Bharatiya Vidya Bhavans Public School for 7years.

 
About the subject: 
 

Voice is a natural instrument which does not need any outer help to manifest itself. This is the reason why vocal music is considered to be the highest form of fine arts. Much has been written on the physical aspect of sound and how it is produced by causing vibrations on particular parts of the throat. But what makes the sound manifest as music, on the mental plane, is an entirely different aspect. This aspect of music has been very deeply thought about and dealt with by a great Sufi saint-musician Hazarat Inaayat khan. While writing about mysticism of sound and music, he says When the spirit desires to express itself in voice, it first causes the activity in mind and the mind by means of thoughts, projects finer vibrations in the mental planes. These in due course develop and run as breath through the regions of the abdomen, lungs, throat, mouth and nasal organs causing the air to vibrate al through, until they manifest on the surface as the voice”. All this has been said because the voice manifested through the physical organs, is an attitude of mind. So the metaphysical and emotional aspect of music help in training the physical voice for attributing to this celestial art of deeper meaning. Thus training voice is like training the mind itself.

Indian music is considered sublime and has a very vast and rich tradition. Whilst music is the bliss, Sahaja music is divine bliss.

 
3 MONTHS COURSE

Please Note: Combined group and individual learning will be conducted according to need and ability of the student, at the discretion of the course Director. Students will be required to document all their experiences throughout the course. Most weeks will comprise of 4 days practical study and 1.5 days of assessment.

 
12 Week Schedule:
 
Month One
Week One Week Two Week Three Week Four

- Voice Culture by Singing various types of Alankaras in various Tal and in various Tott viz. Bilawal, Kalyan, Kafi and Bhairav

 - One simple Bhajan with meaning and notations

-Daily practicing, Madhya, Mandra and Tar Saptak Alamkar.

 - One Bandish (Khyal) and one Tarana in a Rag with simple aalap and tal.  

- Writing the bandish in notations.Learning Teen Tal and Ek Tal.

- Revision of previous week’s portion and learning two Sahaja bhajans with meaning and notations.

- Introduction of Theory of Indian Music.

- One bandish in rag and one Tarana with aalap and Taan

 - Writing the meaning and notations. Revision

 
Month Two
Week One Week Two Week Three Week Four

- Learning one Lakshan Geet in one Rag.

- Two Sahaj Bhajans writing the meaning and notations. Revision

- Revision of all portion,

- Individual Singing, Training and Practices.

- Individual Singing and preparing for stage programs.

- Two Sahaja bhajans.

- One Sahaja Bandish and a Tarana in one Rag with aalap and taan and one lakshan geet.

 
Month Three
Week One Week Two Week Three Week Four

- Revision and class tests.

- Theory of Indian Music. Scientific details of all ragas and Tal.

- Learning one Dhrupad

 

- Learning 2 Sahaja bhajans with their meaning and the notations.

- Learning to tune Tanpoora.

- Learning Rupak Tal and Jhap Tal.

- Individual examination and clearing of doubts

- Revision and checking of notes and final touchup

- Learning one bhajan.

 

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